Approved Client Case Study

Building a Reader Audience for Mary Ellen Johnson

How email marketing, Substack strategy, content creation, and platform optimization supported a traditionally published historical fiction author.

Client
Mary Ellen Johnson
Genre
Historical fiction
Project period
February–September 2026
Editorial still life of antique books, parchment research notes, and warm natural light.
Editorial still life created for this case-study page. It does not depict Mary Ellen, an actual book cover, or campaign materials.
Project overview

Building the foundations for reader connection

From a new email list to coordinated reader-facing content, the engagement paired practical setup with ongoing platform and performance review.

0 → 44Email subscribers, as reported for the engagement
~5 → 1,000+Substack subscribers in six weeks, as reported later
8Branded essay PDFs created

Timing matters: The project ran February–September 2026. Some audience and review outcomes were reported later, including in October 2026; those are identified separately below.

01 · Context

The starting point

Mary Ellen Johnson is a traditionally published historical fiction author with nine books across three series: Knights of England, Travels Across Time, and The Golden Promise of Cripple Creek. Her publisher, ePublishing Works, handled distribution, while reader-facing marketing was part of this engagement.

At the outset, there was no email subscriber list, and the Substack audience was approximately five. The work focused on establishing an email foundation, strengthening platform presence, and coordinating content around the books and relevant reader interests.

02 · Work delivered

Services delivered

Email marketing

Set up Mailchimp from scratch, wrote and sent four newsletters, and built a four-step welcome automation with PDF reader magnets.

Reader content

Created eight branded essay PDFs for use as reader magnets and campaign content.

Substack strategy

Developed a strategy for two publications and drafted and published six posts around The Uprising film release. This work does not imply a film-studio endorsement.

Platform optimization

Rewrote the BookBub profile and author bio, and added nine books to 14 Goodreads Listopia lists where relevant.

Royalty analysis

Reviewed royalty statements to identify sales patterns and inform discussion of book discovery. The analysis did not create or establish the causes of sales.

03 · Project period

Campaign timeline

Work completed during the February–September engagement is kept distinct from outcomes reported afterward.

  1. February–April 2026 · Build the foundation

    Set up Mailchimp and developed the welcome automation and initial reader-magnet content.

  2. May–July 2026 · Platform presence and discovery review

    Updated the BookBub author presence, added books to relevant Goodreads lists, and reviewed royalty statements. Newsletter writing and sending continued during the engagement.

  3. August–September 2026 · Coordinate Substack content

    Applied the two-publication strategy and drafted and published six posts around The Uprising film release. The engagement concluded in September 2026.

04 · Record of work

Outcomes and documented deliverables

Completed during the engagement

  • Mailchimp account set up from scratch; four newsletters written and sent.
  • Four-step welcome automation created with PDF reader magnets.
  • Eight branded essay PDFs created.
  • Substack strategy for two publications, with six posts drafted and published around the film release.
  • BookBub profile and author bio rewritten.
  • Nine books added to 14 Goodreads Listopia lists.
  • Email subscribers increased from zero to 44.
  • Royalty statements analyzed for sales patterns.

Later outcomes reported in October 2026

  • Substack: The source reports growth from approximately five to more than 1,000 subscribers in six weeks. Audience momentum continued after the engagement ended; this later growth was carried forward independently by Mary Ellen.
  • Amazon reviews: Four new reviews for The Lion and the Leopard were reported in October 2026. The source attributes them to the campaign based on their timing and content; reader review activity remains outside the team's control.
05 · Attribution

What the campaign did and did not control

The case-study source documents the project activities and reported figures above. It also notes that retailer algorithms, publisher pricing, and distribution were outside the team's control. Royalty analysis described trends; it did not create them. The 465 Q2 sales are a pre-campaign observation, and Substack momentum continued after the retainer ended.

These are results from one author's circumstances and are not a promise of sales, reviews, ratings, rankings, audience growth, or other specific outcomes.

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